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東京國立博物館保管十一面觀音像(多武峰舊藏)研究(下)

The Eleven-faced Avalokitesvara Statue Originally Collected in Tōnomine and Now Kept in Tokyo National Museum(Ⅱ)

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【作者】 松田誠一郎王云

【Author】 MATSUDA Seiichiro;WANG Yun;Department of Aesthetics and Arts History, Faculty of Fine Arts, Tokyo University of the Arts;School College of Humanities, Central Academy of Fine Arts;

【機構】 東京藝術大學美術系中央美術學院人文學院

【摘要】 圍繞東京國立博物館保管十一面觀音像(多武峰舊藏),從其圖像、形式、風格以及文獻等方面展開討論,認為此像忠實地反映了與"檀像"概念形成密切相關的《十一面經》的造像法,是唐代、略晚于7世紀中期(與《十一面經》第一譯、第二譯出現的年代相當)的中央地區的作品。

【Abstract】 This article is an in-depth study of the iconography, form, style, and literary source material of an Eleven-faced Avalokitesvara statue that was originally collected in Tōnomine in Nara but which has since been moved to Tokyo National Museum. The statue shows an almost word-to-word conformity with descriptive passages from the Ekādasamukha-sūtra, a Buddhist sutra which is closely related to the formation of the concept of "dansō" (sandalwood statue) in Buddhist art. The author concludes that the statue was a cooperative work by members of a prominent group of sculptors in the Chinese continent made in the Tang Dynasty sometime after the middle of the 7th century when the original and updated translations of the Ekādasamukha-sūtra were successively created.

  • 【分類號】G269.313
  • 【下載頻次】144
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