【摘要】 圍繞東京國立博物館保管十一面觀音像(多武峰舊藏),從其圖像、形式、風格以及文獻等方面展開討論,認為此像忠實地反映了與"檀像"概念形成密切相關的《十一面經》的造像法,是唐代、略晚于7世紀中期(與《十一面經》第一譯、第二譯出現的年代相當)的中央地區的作品。更多還原

【Abstract】 This article is an in-depth study of the iconography, form, style, and literary source material of an Eleven-faced Avalokitesvara statue that was originally collected in Tōnomine in Nara but which has since been moved to Tokyo National Museum. The statue shows an almost word-to-word conformity with descriptive passages from the Ekādasamukha-sūtra, a Buddhist sutra which is closely related to the formation of the concept of "dansō" (sandalwood statue) in Buddhist art. The author concludes that the statue was a cooperative work by members of a prominent group of sculptors in the Chinese continent made in the Tang Dynasty sometime after the middle of the 7th century when the original and updated translations of the Ekādasamukha-sūtra were successively created.更多還原